| Lively Space
This world Ha Young Joo looks at is the place where innumerable
existences spout their own willingness and so it is most actively
vivid. Truly, cosmic stars are exquisitely playing through their
own motions with their most elaborate figures and techniques. All
kinds of animals that proficiently make the bases of their own livelihood
as if to have learned them sometime express their lives with their
even more vivid motions. At the same time, we reveal ourselves in
numerous people and also by others, and this world is full of entities
expressing willingness, and the world itself is also no other than
such will. Now, the artist tries to contain in forms the emission
of that will continued without any single stop. Those forms moving
in the works reject to stay in a fixed pause and proceed to their
own unpredictable directions. She is painting great movements shown
through the whole body among the movements of human being, and these
great images are the expressions maximizing dynamics. A strong contrast
of Chinese ink and white powder reveals the visual effect of expressing
great movements intensively. It's because the animation that the
world is full of can be revealed only by formalizing the most liberal
and the most energetic movements.
Just this force cultivating our lives is most essential and eternal,
but it is revealed to be most dynamic moment by moment. In order
to express the essence laid just in that moment, she captures the
moment at which the most energetic force is emitted. This moment
is most dynamic one which connects the past, the present and the
future like one breath, neither a particular point of time vanishing
if passed nor the present stopped. She is applying keen touches
at the end of her hands by using the characteristics of materials.
Such expression simultaneously maximizes movements and the moments
at which they are captured.
She turns around towards and looks at all these things that are
surrounding herself and that are composing the world. She tries
to refuse one fixed direction and now approach all the things that
she comes to welcome by moving her body upwards and downwards and
leaning back to the full. She is expressing her own eyes with which
to look at the world and her own shapes that she jumps into it by
serially producing the images that throw themselves to various directions.
She gets to meet more parts of the world by changing the direction,
accepts the energies owned by them with the whole body through this
meeting, and becomes united with them. Such a process is also the
starting point from which she can again proceed to a new direction.
A series of works containing her own shapes towards various directions
are revealing the intention that she tries to throw herself in that
vivid world and identify with it rather than look at the world negatively
standing around it.
If art enables us to experience the world and its essence, her
work is the space where energy and passion emitted from herself
are by meeting with the vivid nature of the world. Through this
space, we will find ourselves turning around to another direction
by seeing and accepting lively forces beyond her paintings.
Bae, Hye-rim (Dept. of Aesthetics, the Graduate School of the Humanities,
Seoul National University)
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